illustration

Redesigning A Picture Book

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The purpose of a redesign is to improve the quality of a project in visuals, text, or both.

My debut picture book, Where Do Butterflies Go at Night? was released, to my great excitement, in August 2022. Unfortunately, two years later, my small Australian publisher advised me they were going out of business. The result? My beautiful book would disappear off the face of the Earth.

Was there anything I could do?The only option was to purchase the art and rights, and self-publish the book myself. The original book was published hardcover, 8.5″ x 11″. In looking at my possibilities, POD (print-on-demand) offered only one size in common – 8.5″ x 8.5″ – between two different printers if I wanted the option of soft and hard covers.

This required a redesign in format, and some major changes in the artwork itself, but also offered an opportunity for additional creativity.

One of the important changes I made in a redesign was to make it more clear what the book is about by rebalancing the title text. In the initial cover, the book’s subject is unclear unless you come up close. I added 2nd Edition to my redesigned book, so it was known that this was not the same publisher, and also enlarged the names of the author (me) and illustrator (Stella Maris Mongodi).

I also set up the interior of the book to more closely resemble a traditional picture book. One of those additions was a half-title page. I also included a dedication page up front, and bios for Stella and me in the back, none of which were included in the original book, but which I felt deserved to be there.

The book also has back matter, providing information about butterflies, their importance as pollinators, and ways a child reader can help them, thereby making a difference in the world. I redesigned this spread to make it lighter and more readable.

One of the greatest challenges in redesigning “Butterflies” was recreating Stella’s beautiful art into a different size and format., as mentioned above. Here I am deeply grateful for my artistic talent which enabled me to make these changes, and to Stella, who was willing, with her approval along the way, for me to make the changes to her original art.

This sometimes required cropping from the outer edges of the spreads, but often cropping from the inner edges where the outside needed to remain intact, and digital repainting to make it all work. My goal here was to make the final book look like that’s exactly how Stella created it. One of our favorite spreads is below. Hopefully you can’t tell what may be missing from the original spread!

And so ends the tour of what a redesign looks like, the challenges and happy results. If interested in a redesign of one of your projects (need not be a book), please feel free to contact me.

If interested in purchasing Where Do Butterflies Go at Night, 2nd Edition you can find it here on Amazon.

Traditional Publishing vs. Self-Publishing — Which Way to Go?

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There are often two schools of thought on this, and there are two very different processes. In the end, there is the same product, a book that you have invested a great deal of time in writing, possibly illustrating, and a significant part of your heart. So how do you know which way to go?

In my talk, “Self-Publishing Children’s Books 101”, I introduce the numerous concepts and responsibilities involved in producing your own picture book. This gives you a solid starting point for further investigation.

I also discuss the advantages and disadvantages of going the traditional or self-publishing route. Here are a few questions you may want to ask yourself before embarking on your publishing journey.

  • Why are you writing your book? Do you want to reach a very broad audience or perhaps a smaller niche group of readers? Traditional publishers will reach the broadest audience, but also look for more mainstream subjects.
  • Is it important for your book to be in bookstores and libraries, as well as online? If yes, a traditional route may serve you better.
  • How much control would you like? If you have a strong vision of exactly how you want the illustrations, cover, and design, etc. to appear, self-publishing may be for you.
  • How much responsibility do you want to take for every aspect of the book’s journey – from writing, editing, design, illustration, marketing, and finding the people who will help you with these skills or learning them yourself? This speaks self-publishing; a traditional publisher will take care of all these for you.
  • How much financial investment do you wish to make? This is simply reality. If you self-publish, you will be paying for illustrators and designers to help you as well as the cost of printing the book. In today’s market, this will run several thousand dollars or more. There are no real out-of-pocket expenses involved in traditional publishing.
  • How patient are you? Querying agents and those publishers that are still open to submissions involves both research and generally, long waits to hear back. Want your book out there right away? Self-publishing is the way to go.

These are just some of the points you may want to consider. Hopefully, I’ve got you thinking about options for your upcoming children’s book. Do your homework, and read and research thoroughly!

If I can give a presentation on “Self-Publishing Children’s Books 101” at your library, school, or other venue, please contact me.

What Exactly Is A Dummy?

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Despite the name sounding potentially derogatory, a dummy is nothing more than a mock-up of the picture book you are working on. It’s a useful tool for several reasons:

  • helping you improve your manuscript
  • helping your illustrator have an idea of what she/he will need to do in terms of art and allowing space for text
  • and/or having something concrete to show agents or editors, especially if you wish to illustrate your own MS (manuscript)

A dummy will generally have the same amount of pages as a standard 32-page picture book, and can easily be made from paper, just like a miniature book. But … your dummy can also be created digitally, depending on your level of expertise and the ultimate goal of the dummy.

You will need to understand what appears on each page in a standard children’s book, such as title page, publisher’s information, etc., so you will know how and where to place your text and what illustrations might go on what pages. The beauty of a dummy is that you don’t need to know how to draw to create one; stick figures work!

This is a sample page from one of my own dummies. As an artist and graphic designer, it is more complex than yours may need to be, but contains the elements you want – a two page spread, an indication of what the illustration might look like, and where the type (text) will fall.

I suggest you take out a few current 32-page picture books from the library or use your own as reference, and create a first dummy for yourself. Paper, scissors, glue stick, and a pencil or two and your final manuscript, and go play. See what your picture book might look like! The exercise, at the very least, will show you where your story can be improved.

You can also check my online calendar to see when I am giving workshops near you. (Right now, I’m in western NJ and eastern PA,)

2024 – Ready to Self-Publish?

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You have a story. Perhaps you have illustrated it. And you want to see your children’s book in print. You have submitted to publishers, but so far, have not gotten a `yes’. Time is slipping by and you’re not quite sure what to do.

Maybe it’s time to self-publish. Working with an experienced graphic designer who is also a published children’s book author and illustrator might be one of the best steps you can take to finally see your book in print.

I love helping authors bring their stories to children (and adults) who are waiting to hear what you have in your mind and heart. It’s a journey we share together with the best possible results – your story in a beautiful book.

Learn about how I help authors self-publish, and contact me when you’re ready to make your dream a reality.

Poem

New Self-Publishing Workshop

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Self-publishing one’s own children’s book has great appeal, but it’s not quite as simple as it seems. A most important question — what is your purpose in self-publishing?

If you wish to have a lovely book to read to the kids, grandkids, or your students, the journey may be fairly simple, and not terribly expensive. But if your goal is to compete with traditionally published books, and you truly want your book to sell, then your investment in both time and money may be more than you suspect.

I cover all this in my upcoming in-person workshop – Self-Publishing Children’s Books 101 – at the Stewartsville Public Library on Wednesday, October 18, 2023, 6-7:30 pm. Registration opens October 4.

I’ll be covering the following topics:

  • Why Publish?
  • Your idea – coming up with what will sell
  • Your story
  • Dummy
  • Illustration
  • Book design
  • Traditional vs. Self-Publishing
  • Q and A

If you’re in the neighborhood, please come and learn about self-publishing! For information about how I help people self-publish, please check out the tab on Self-Publishing above, or do a Search for the many articles I’ve written on this subject.

If I can help you self-publish, please contact me.

Self-Publishing Children’s Books 101

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Wondering if self-publishing is for you? Want to know what is actually entailed in bringing a children’s book from idea to press?

Come to my workshop and find out. I’ll be providing as much information as can be fit into one hour, so you will have a better idea if this is the best route for you. We’ll also talk about the pros and cons of traditional publishing vs. self-publishing.

I am a graphic designer who has shepherded quite a few children’s books to press, but also a published author and illustrator, which brings an extra layer of knowledge to how I can inform and help you.

The workshop is free to the general public, but the library requests that you do register. Please sign up here.

Thanks and hope to see you!

Is 2023 Your Year to Be Published?

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Are those your hands typing away on your manuscript? Are you done yet? If you’re considering self-publishing, this is the time to get in touch with a graphic designer!

Look into what’s involved before you have art done. Find out how making a dummy can make all the difference in your finished picture book, and save you money!

I specialize in helping children’s book authors bring your story and ideas together, design a beautiful book for you, and get it ready for press.

Are you ready? Start learning what’s involved right here on my website, and contact me with questions and let’s make a beautiful book for you!!

Self-Publishing VIII – New Challenges

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A recent self-publishing project has been my second with author, MJ Zonfrillo. The Boy Who Found His Talent is a picture book story of a boy who’s bored, but doesn’t know what he wants to do, and his journey to finding what that is. It’s always great working with someone I’ve worked with before; it makes the whole process easier and more fun.

Let’s look at some of the successes and challenges in creating this book. MJ does a great job of doing a dummy, but … it was put together for me after the illustrations were done and that created some missed opportunities.

The illustrator, who is very talented, never did a picture book before. Sandy’s forte is animals, so a complete book with humans presented some challenges, but MJ had taken care of all that before the art was presented to me. One of the things I would have liked to see done differently would have been a much more extensive use of 2-page spreads. In this book, there are only two.

The result was that there are too many pages with an illustration on one side and the opposite side has only a few lines of text, (see above.) This misses the opportunity to use full color throughout, but also gives the child reader far less to look at.

Another issue was not apparent until I received the art and that was that the artwork itself was not painted out far enough to provide for the full bleed for the page size. In some cases, the illustrations could be slightly enlarged, but in others, it meant my having to paint in areas to provide the needed bleed. Also, the scans, which had been made by a print shop, had a somewhat greenish cast to them, and much color-correcting had to be done.

The last challenge was that the illustrator had not been asked to do a separate image just for the cover, so MJ and I were left to figure out which interior images might be used for this purpose. As it turned out, this was pretty do-able and we were able to use one for the front cover, and a different one for the back cover.

All in all, it still went quite smoothly, and having a client who’s great to work with makes it all so much easier (and fun!) The Boy Who Found His Talent looks great with attractive front and back covers, and plenty of interest on the inside portraying a solid story, which also includes photos of the main character in his various theatrical endeavors.

What could have been done differently? As mentioned in earlier posts, there is a great advantage to working with the designer early on, and before giving the assignment to the illustrator. This could have provided many more 2-page spreads and a better use of the 4/color availability for picture books. This way the illustrator understands exactly what’s expected of him/her, especially if they’ve never done a picture book.

My second recommendation is to utilize an illustrator who has experience in picture books and understands all that is required to give me properly sized, finished art so I can just pop it in on the page. I spend more time than should be needed in correcting things, which adds to the final cost, and which would have been avoided if an illustrator experienced in picture books was hired.

So that’s it. Another great collaboration and another beautiful book finished!! Ready to start your self-published book? (Or other graphic design project?) Reach out; I’m happy to help!

Self-Publishing VII – More on Illustration

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Let’s take a moment to talk about the importance of illustration – good illustration – when self-publishing your book.

Here is an example of spectacular illustration, and I can proudly say that this – Where Do Butterflies Go at Night? – is my own debut picture book, and yes, it is traditionally published. But …

… this illustrator provides amazing art to both publishers and individuals alike. In fact, she, Stella Mongodi, has illustrated more picture books for self-publishing individuals than anything else.

One of the things I often see in self-published picture books is less-than-spectacular art. Why is that? Many first-time authors are excited about being published and appearing on Amazon, but when it comes to the art, they want to save money. I have come across this numerous times. The result? Not the best looking book!

The question is, do you want to sell your book? If you do, you will need to be prepared to pay a good illustrator and a good designer. You are competing with many, many other titles whose artwork is both eye-catching and professional. And those are the books that sell!

Next, you ideally want an illustrator who has some experience in picture books, or who can render illustrations to the size you require. If you’re doing an 8 x 8″ book, they should understand how a 2-page spread will lay out, how the art will fit in that format, and know what a bleed and a gutter is. As a children’s book designer, I spend a lot of time, which must be charged to the client, fixing and adjusting artwork that could have been done correctly initially. A good illustrator is so important, and It also helps greatly when you work with a good designer from the beginning.

The takeaway here? Do things in the proper order if you’re new to all this – a designer first to help with a dummy, book size, etc., and illustrator next. When the artwork is done, the designer will pull it all together for you. And be willing to invest what it takes to make your book shine and stand out in a crowd!!

Pictured here are the bookmarks I designed for my book. If interested, Butterflies is currently available for pre-order on bookshop.org, Amazon, and Barnes & Noble.

Self-Publishing VI – Illustration Layout Challenges

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Every story being self-published has a story of its own for the designer. What made it fun and appealing? What presented challenges? How were they resolved and could they have been avoided?

Doctor Whisper and Nurse Willow is an 8×10″ picture book by Susen Edwards, illustrated by Lindsey  Johnson, and had two interesting challenges – one that is not so unusual for a first-time author and a first-time illustrator, and a second which, surprisingly, was due to the 2020 Coronavirus pandemic.

Susen, the author, was a delight to work with, and she had found a young illustrator with a charming and simple style, though no experience in picture book layout. The story is about two cats, who, in the face of their little boy being ill, transform themselves into Doctor Whisper and Nurse Willow to provide the special care that our animal companions so often provide.

What I sometimes find with first-time picture book illustrators is that they are not aware that their 2-page spread drawings have to accommodate the gutter in the center of the book. Once the book is bound, a portion of the illustration is lost in that fold, so the artist has to plan the elements of the illustration carefully. In this case, a couple of Lindsey’s illustrations had  cats placed across the middle of the drawing .

This is where a designer able to work in Photoshop is a great asset. In two cases, I literally moved one of the cats to another location on the left or right page, where no one would ever know they’d been “cut and pasted” with a new background “painted” in  where they had been. 

The two halves of the original illustration with Dr. Whisper across the middle, baseboards not lining up, and gray at the edges of the drawing from the scanner. Moving the images closer left the illustration not wide enough, and Whisper still in the middle. (White area is for text.)

After some work in Photoshop, we now have Whisper on the bed close to Bobby, the center section cleaned up and the baseboards aligning properly. Now neither cat’s image will be lost in the gutter.

The other challenge, which no one could have anticipated, is that when Lindsey took her illustrations to the local copy shop to be scanned, the shop was closed because of COVID. Her only recourse was to scan them on her own smaller scanner bed in two parts. This presented a problem because when lined up as 2-page spreads in Photoshop, they occasionally were a little “grayed-out” at the edges and didn’t always match up. This, unfortunately, left Susen with some unanticipated extra design time while I had to enlarge a little here, reduce a little there, and do a little extra Photoshop work to make the illustrations “whole” again.

Another example of the finished spread where each cat is now on its own page. The original drawing had Nurse Willow across the gutter with her head right next to Dr. Whisper’s. In Photoshop, I moved the entire cat to the left page, and re-created the center portion. 

The result, however, is a very lovely picture book, and the Photoshop work was actually an enjoyable challenge. I had fun with the cover in choosing a light, Victorian-style wallpaper which complimented the drawing style plus a frame for our two main characters. What could have been done differently?

As for the scanning? Nothing. This was just an unfortunate turn of events that no one could have predicted. The image of the cats getting lost in the gutter? That could be remedied by working with a designer who is familiar with children’s books (such as myself!) where a dummy could be put together before illustrating began, thus assuring proper placement of all pictorial elements. The key here is a dummy (and the subject for another post.)

Doctor Whisper and Nurse Willow is suitable for young children, ages 3-6, and can be found on Amazon.

If looking for a skillful job in bringing your picture book to life, feel free to inquire.